At a major cultural institution in New York City, I once served on a committee that had been tasked with making recommendations as to what kind of seating should be installed in new screening rooms they were planning to build.

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In the spring of 1986, I took a trip from Paris to London, crossing the channel by ferry, to visit my friend John Kimber. He has since disappeared.

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Thinking about finding an audience for the film, I remembered long ago hearing about a prop George Lucas always used when he was raising money for STAR WARS. It was a map of the United States with pins stuck in it. He would place it behind him when he spoke to his potential investors.

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With the actors strike having ended, I can finally take care of the Additional Dialogue Recording (ADR) that was holding us back from completing V13.

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Exciting news to share: For those of you who live outside the English-speaking world and have wanted to see ADIEU LACAN, it is now possible. Starting immediately, here on my website you will find the following link to

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Richard Hamon has made two documentaries that should be of particular interest to anyone who, like myself, has a passion for American culture: 2004 Howard Fast, Histoire d’un Rouge (Howard Fast, the Story of a Red)

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Richard Hamon a réalisé deux films documentaires qui devraient être particulièrement intéressants pour qui a, comme moi, une passion pour la culture américaine: Howard Fast, Histoire d’un Rouge, réalisé en 2004 et

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Antu Yacob on playing Gloria in ADIEU LACAN

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David Patrick Kelly speaks about playing Jacques Lacan in ADIEU LACAN

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Ismenia Mendes on playing Seriema in ADIEU LACAN.

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Imani Oakley, candidate for the US Congress for the 10th Congressional District of New Jersey, makes the case that the way names are displayed visually on the New Jersey ballot unfairly favors certain candidates over others.

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SHADOW: A PARABLE, inspired by a story of Edgar Allan Poe, has just been released on my YouTube channel this. It is the second of what I call "Covid 19 Dogma videos," again working remotely and again inspired by a story of Edgar Allan Poe.

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The work on the wall behind me, entitled Devour/Goya, is by Carolee Schneemann. The NY Times critic Holland Carter, in his 2019 obituary for Schneemann, who died at the age of 79, wrote that she was “a feminist visionary…

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L'oeuvre sur le mur derrière moi intitulée «Devour / Goya» est de Carolee Schneemann. Le critique du NY Times, Holland Carter, dans sa nécrologie de 2019 pour Schneemann, décédée à l'âge de 79 ans, a écrit qu'elle…

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I have been living nearby the Soldiers and Sailors Memorial Monument on Riverside Drive in Manhattan, New York City, for many years. It took on new meaning this year because of two notorious acts of violence against…

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